In June 1983, Alexander Grothendieck sits down to write the preface to a mathematical manuscript called Pursuing Stacks . He is concerned by what he sees as a tacit disdain for the more “feminine side” of mathematics (which is related to what I’m calling the solitary creative state) in favor of the “hammer and chisel” of the finished theorem. By

Another idea if you want to push against the mental pressure that kills good ideas, from Paul Graham’s recent essay on how to do good work: “One way to do that is to ask what would be good ideas for someone else to explore. Then your subconscious won't shoot them down to protect you.” I don’t know of anyone using this technique, but it might work.

The Knight: As you know, I am afraid of emptiness, desolation and stillness. I cannot bear the silence and isolation.

Death: Emptiness is a mirror turned to your own face.

What solitude gives you is an opportunity to study what personal curiosity feels like in its undiluted form, free from the interference of other considerations. Being familiar with the character of this feeling makes it easier to recognize if you are reacting to the potential in the work you are doing in a genuinely personal way, or if you are

Even if you know what it feels like to be completely open to where your curiosity wants you to go, like Grothendieck, it is a fragile state. It often takes considerable work to keep the creative state from collapsing, especially as your work becomes successful and the social expectations mount. When I listen to interviews with creative people or