Cultivating a State of Mind Where New Ideas Are Born

Even if you know what it feels like to be completely open to where your curiosity wants you to go, like Grothendieck, it is a fragile state. It often takes considerable work to keep the creative state from collapsing, especially as your work becomes successful and the social expectations mount. When I listen to interviews with creative people or re

What solitude gives you is an opportunity to study what personal curiosity feels like in its undiluted form, free from the interference of other considerations. Being familiar with the character of this feeling makes it easier to recognize if you are reacting to the potential in the work you are doing in a genuinely personal way, or if you are givi

In fact, most of these comrades who I gauged to be more brilliant than I have gone on to become distinguished mathematicians. Still, from the perspective of 30 or 35 years, I can state that their imprint upon the mathematics of our time has not been very profound. They’ve all done things, often beautiful things, in a context that was already set ou

Despite this unhinged quality, or rather because of it, Récoltes et Semailles is a profound portrait of the creative act and the conditions that enable our ability to reach out toward the unknown.

SAM ALTMAN: Good ideas — actually, no, great ideas are fragile. Great ideas are easy to kill. An idea in its larval stage — all the best ideas when I first heard them sound bad. And all of us, myself included, are much more affected by what other people think of us and our ideas than we like to admit.

If you are just four people in your own door, an

Another idea if you want to push against the mental pressure that kills good ideas, from Paul Graham’s recent essay on how to do good work: “One way to do that is to ask what would be good ideas for someone else to explore. Then your subconscious won't shoot them down to protect you.” I don’t know of anyone using this technique, but it might work.