‘Copy Machine Manifestos’: five artists on their zine practices
Toby Shorin • Life After Lifestyle
J. R. Carpenter • J. R. CARPENTER || a Handmade Web
So much of what we see in galleries is responding to the imperative to overproduce, overenlarge, overconsume, and for artists with ascending and funded careers this trajectory can seem all but unavoidable. As Roberta Smith points out, the primary meaning of these works is often: “I made this because I can.”
Moyra Davey • Index Cards
Folkert Gorter • Clippings by Folkert Gorter
“The process of making art,” writes Rebecca Solnit, “is the process of becoming a person with agency, with independent thought, a producer of meaning rather than a consumer of meanings that may be at odds with your soul, your destiny, your humanity.”[2]
Cameron Russell • How to Make Herself Agreeable to Everyone: A Memoir
thought I had a lot to say, but I felt timid about saying it. Making my zine was a way of sketching the outlines of a new self, writing a new personality into being.