
Call Me by Your Name

Everyone was available, lived availably—like the city—and assumed everyone else wished to be so as well. I longed to be like them.
André Aciman • Call Me by Your Name
He was my secret conduit to myself—like a catalyst that allows us to become who we are, the foreign body, the pacer, the graft, the patch that sends all the right impulses, the steel pin that keeps a soldier’s bone together, the other man’s heart that makes us more us than we were before the transplant.
André Aciman • Call Me by Your Name
Give me a blindfold, hold my hand, and don’t ask me to think—will you do that for me?
André Aciman • Call Me by Your Name
But I loved the fear—if fear it really was—and this they didn’t know, my ancestors. It was the underside of fear I loved, like the smoothest wool found on the underbelly of the coarsest sheep. I loved the boldness that was pushing me forward; it aroused me, because it was born of arousal itself.
André Aciman • Call Me by Your Name
“I’m not wise at all. I told you, I know nothing. I know books, and I know how to string words together—it doesn’t mean I know how to speak about the things that matter most to me.” “But you’re doing it now—in a way.” “Yes, in a way—that’s how I always say things: in a way.”
André Aciman • Call Me by Your Name
I was treading water, trying neither to drown nor to swim to safety, just staying in place, because here was the truth—even if I couldn’t speak the truth, or even hint at it, yet I could swear it lay around us, the way we say of a necklace we’ve just lost while swimming: I know it’s down there somewhere. If he knew, if he only knew that I was
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from us to them, back to us and over to them again in this perpetual circuit where the chambers of the heart, like the trapdoors of desire, and the wormholes of time, and the false-bottomed drawer we call identity share a beguiling logic according to which the shortest distance between real life and the life unlived, between who we are and what we
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Or are “being” and “having” thoroughly inaccurate verbs in the twisted skein of desire, where having someone’s body to touch and being that someone we’re longing to touch are one and the same, just opposite banks on a river that passes
André Aciman • Call Me by Your Name
One day he asks her point-blank: “Is it better to speak or die?”