BOMB Magazine | Sarah Ruhl
For the collaboration with Joel, Tharp had two goals: The first was to understand and master the role of narrative in dance, a long-standing creative challenge that had captured her curiosity. The second goal was much more practical, but no less motivating: to pay her dancers well. She said, “So I wrote my goals for the project, ‘tell a story’ and
... See moreTiago Forte • Building a Second Brain: A Proven Method to Organise Your Digital Life and Unlock Your Creative Potential
The artists breaking through today are the ones who build worlds around their work —letting audiences follow the journey, get to know the characters,listen to the music on the way to work and, most importantly, form a real connection with you , the creator behind it all. That’s where the magic happens. Because when the time comes to pitch a produce... See more
NAMT's The Table Read March 2025: Now Everyone's An Influencer
It’s funny you say that, because I also often try to write about utopia, or towards utopia, or think about ideas of paradise sought, found, and lost. So if I’m attracted to anything, it’s the oscillation between utopia and dystopia, paradise and catastrophe, and the mechanics that move us in one direction or another, as well as the experiences of i... See more
Author Allegra Hyde on creative work as a space for new possibilities – The Creative Independent
a thesis around plays + theatre in a digital world
plays are one of the last forms of media that resist digitization -- not by accident, but by design. a play doesn’t scale. it doesn’t go viral (well, not the real thing. the idea of a play can spread. its songs, its brand, its aesthetics. but the core experience - the presence, the silence, the un... See more
aishwarya 🌱🦋x.comIt’s like when bands get a little more established but they still want to go back and play the clubs they grew up in. Stand-up is such a visceral, direct experience.