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Art & Fear: Observations on the Perils (and Rewards) of Artmaking
Uncertainty is the essential, inevitable and all-pervasive companion to your desire to make art. And tolerance for uncertainty is the prerequisite to succeeding.
David Bayles, Ted Orland • Art & Fear: Observations on the Perils (and Rewards) of Artmaking
The artist’s life is frustrating not because the passage is slow, but because he imagines it to be fast.
David Bayles, Ted Orland • Art & Fear: Observations on the Perils (and Rewards) of Artmaking
Lesson for the day: vision is always ahead of execution — and it should be. Vision, Uncertainty, and Knowledge of Materials are inevitabilities that all artists must acknowledge and learn from: vision is always ahead of execution, knowledge of materials is your contact with reality, and uncertainty is a virtue.
David Bayles, Ted Orland • Art & Fear: Observations on the Perils (and Rewards) of Artmaking
What separates artists from ex-artists is that those who challenge their fears, continue; those who don’t, quit.
David Bayles, Ted Orland • Art & Fear: Observations on the Perils (and Rewards) of Artmaking
Quitting is fundamentally different from stopping. The latter happens all the time. Quitting happens once. Quitting means not starting again — and art is all about starting again.
David Bayles, Ted Orland • Art & Fear: Observations on the Perils (and Rewards) of Artmaking
The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars.
David Bayles, Ted Orland • Art & Fear: Observations on the Perils (and Rewards) of Artmaking
To all viewers but yourself, what matters is the product: the finished artwork. To you, and you alone, what matters is the process: the experience of shaping that artwork. The viewers’ concerns are not your concerns (although it’s dangerously easy to adopt their attitudes.) Their job is whatever it is: to be moved by art, to be entertained by it,
... See moreDavid Bayles, Ted Orland • Art & Fear: Observations on the Perils (and Rewards) of Artmaking
becoming an artist consists of learning to accept yourself, which makes your work personal, and in following your own voice, which makes your work distinctive.
David Bayles, Ted Orland • Art & Fear: Observations on the Perils (and Rewards) of Artmaking
Conversely, catering to fears of being misunderstood leaves you dependent upon your audience. In the simplest yet most deadly scenario, ideas are diluted to what you imagine your audience can imagine, leading to work that is condescending, arrogant, or both. Worse yet, you discard your own highest vision in the process.