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The making of Eno, the first generative feature film
theverge.com
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Rich with access to hundreds of hours of never-before-seen footage and unreleased music, Gary Hustwit’s forthcoming documentary Eno employs groundbreaking technology to accomplish something that’s never been done before: a feature film that’s never the same twice. Hustwit and creative technologist Brendan Dawes have developed bespoke generative sof... See more
Eno — Gary Hustwit
Alex Dobrenko added
Severin Matusek and added
What Eno likes about 77 Million Paintings is that he has no idea what will appear on screen, nor what aesthetic effects will be produced. "That's pretty interesting. But what interests me more is the way people experience them. My shows are not narratives. Nothing much happens yet people come and stay for hours in a contemplative state. I thought, ... See more
Stuart Jeffries • Surrender. It's Brian Eno
SpaceXponential and added
Film uses disorder to create order of another sort … Film's response to modernity a century ago was to bind its chaos into form by crafting it. Our response a century later is identical. Like film, we create reality by framing life's events, focusing on its particulars. Our angles, values, interactions construct the world in which we live. We are m
... See moreChristopher Hauke • Visible Mind: Movies, modernity and the unconscious
Murphy broke the silence. “Did you ever hear this theory that Eno has? About the farmers and the cowboys? There’s two types of artists—there’s the farmers and the cowboys.
The farmers, like in his studio for example”—he said, gesturing to the screen—“he’s mostly kind of doing the same thing, refining and refining and refining the same thing. And th
... See moreErikc Perez-Perez added
Martin Scorsese: “I Have To Find Out Who The Hell I Am.”
Photography Bruce Gilden/Magnum Photosgq.com