ALL THE COLOURS WE CANNOT SEE
I love speculative fiction like Octavia Butler and Ursula Le Guin 's, which creates alternative versions of reality based on enormous documentary research and invents the foundations of another present, improbable and credible. I'm also constantly on the lookout for situations where reality is surreal, a kind of "magical realism". As a writer of... See more
Anthony Van Den Bossche • «Writing as pollinating», a conversation with Alice Bucknell
They seemed to regard fiction not as something decorative but as a vital moral-ethical tool. They changed you when you read them, made the world seem to be telling a different, more interesting story, a story in which you might play a meaningful part, and in which you had responsibilities.
George Saunders • A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life
One thing I’ve also noticed is the gradual loss of the understanding of “imagination” as a category; it can sound a little Reading Rainbow to talk about, but wouldn’t you know imagination is actually an essential part of the human condition. In so far as the words “spirit” or “spirituality” mean anything beyond woo-woo or cliché they must include... See more
John Ganz • Why Culture Sucks
By writing fiction I have discovered some surprising things: for example that describing memories does not necessarily bring them to life. It can be the opposite: in the process of writing fiction I have overwritten some of my own memories. The act of writing has replaced them with something different, and I’ve effectively lost some of my own
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