Aggressive Inefficiency: from Stage to Page with Rachel Chavkin and Alec Duffy | The Brooklyn Rail
Frank Boudreauxbrooklynrail.org
Aggressive Inefficiency: from Stage to Page with Rachel Chavkin and Alec Duffy | The Brooklyn Rail
"It’s a healthy practice to approach our work with as few accepted rules, starting points, and limitations as possible. Often the standards in our chosen medium are so ubiquitous, we take them for granted. They are invisible and unquestioned. This makes it nearly impossible to think outside the standard paradigm. "
— The excerpt is from The Creativ... See more
— The excerpt is from The Creativ... See more
Brain Food: Greats Don't Wait
“It’s about pushing ourselves out of our comfort zone and asking questions like ‘What happens when we blend the natural with the surreal?’ or ‘How can motion bring these AI-generated forms to life?’” she adds. Weekly brainstorming sessions help refine the prompts and keep the themes at the centre of the creative process.
Off the clock with Overtime: Company Policy's creative playground ...
It is helpful to imagine these roadblocks as questions: How do we rediscover ourselves anew? How do we right our collective rememory? Think of rememory as an undoing, unraveling and rewriting of corporeal constitutive elements. In the changingness of rememory, could we find transcendence? Or perhaps a trace of a former history that gives us the opp
... See moreStephanie Dinkins • Afro-Now-Ism
We take the profound power of conjuring new expressions, interpretations, and constructed worlds for granted.
Seth Goldenberg • Radical Curiosity: Questioning Commonly Held Beliefs to Imagine Flourishing Futures
Organizers seek to impact all of these things—the way people reconstruct the past, the way we understand the present, and ultimately the way we envision what could be. Creating against the grain. What stories are we telling ourselves? What are we sowing into the world when we speak? Our politics are the product of this world-building process. And s
... See moreKelly Hayes • Let This Radicalize You
I think of each production as a Tower of Babel. Everybody comes in with different training, speaking different languages, and you have four weeks to speak the same language.