A Swim in a Pond in the Rain: From the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo
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A Swim in a Pond in the Rain: From the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo

A good story is one that, having created a pattern of excesses, notices those excesses and converts them into virtues.
“Well, I read a line. And I like it . . . enough to read the next.”
“Don’t make things happen for no reason” and “Having made something happen, make it matter.
But Chekhov chose to make Marya a person unhappy because of the monotony of her life. Out of the mist of every-story-that-could-possibly-be, a particular woman has started to emerge.
What makes you you, as a writer, is what you do to any old text, by way of this iterative method. This method overturns the tyranny of the first draft. Who cares if the first draft is good? It doesn’t need to be good, it just needs to be, so you can revise it. You don’t need an idea to start a story. You just need a sentence. Where does that
... See moreThis is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve.
I try to read what I’ve written the way a first-time reader might (“without hope and without despair”).
We might think of structure as simply: an organizational scheme that allows the story to answer a question it has caused its reader to ask.
(All coherent intellectual work begins with a genuine reaction.)