A Discreet Charm: The first family of French product design on extracting elegance from efficiency
Diane Vadinofriendsoffriends.com
A Discreet Charm: The first family of French product design on extracting elegance from efficiency
It is as if there were a natural law which ordained that to achieve this end, to refine the curve of a piece of furniture, or a ship’s keel, or the fuselage of an airplane, until gradually it partakes of the elementary purity of the curve of the human breast or shoulder, there must be experimentation of several generations of craftsmen.
Naomi Klein • Let My People Go Surfing: The Education of a Reluctant Businessman--Including 10 More Years of Business Unusual
Design has evolved to meet the challenge of the new relationship between people and the material goods they need. Today, designers — artisans, manufacturers, engineers, architects — think far beyond the way things look. Comparing pre-industrial design to post-industrial design with a picture is absurd. Critiquing a modern object based on its appear... See more
Beauty in the machine: post-industrial design
The first school is represented by “classic designers,” such as my friends Dieter Rams and Kenji Ekuan, the late Ettore Sottsass, Jr., Mario Bellini, and Jonathan Ives. These designers can run their own studios or be corporate stars. Ten or fifteen years ago, I would have included myself in this group. This school’s approach to design is both logic
... See moreHartmut Esslinger • A Fine Line
There are lot of different ways to define great design, but this display of obsessive care over the things that “no-one asked for” is probably my favourite. More than a little neurotic and almost never making financial sense, this desire to go further than required has always seemed to me so noble, a pure expression of the deferred love contained w... See more
Ben Strak • Nobody asked for this
