(6) Mirror or Prism, and Other Questions to Frame Your Memoir
One could say, as the philosopher John Dewey did, that all art (verbal, visual, auditory, gustatory) is the transformation of the artist’s embodied self-awareness into a sensory form that leads back to another embodied experience, that of the person appreciating the work of art (Dewey, 1934). But that transformation is never perfect, hence the inhe
... See moreAlan Fogel • Body Sense: The Science and Practice of Embodied Self-Awareness (Norton Series on Interpersonal Neurobiology)
It is an appearance, or a set of appearances, which has been detached from the place and time in which it first made its appearance and preserved – for a few moments or a few centuries. Every image embodies a way of seeing. Even a photograph. For photographs are not, as is often assumed, a mechanical record. Every time we look at a photograph, we a
... See moreJohn Berger • Ways of Seeing

Memory has a much richer palette. It is more subjective and therefore more reliable. It doesn’t pretend to be a mirror of objective truth.
Alan Lew • This Is Real and You Are Completely Unprepared: The Days of Awe as a Journey of Transformation
The mirror of language | Blaze Media
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