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All landscape art reminds us: we live in a tabula rasa, and must write on it. It is our world, and its beauty is entirely inside our heads.

Habits begin to form at the very first repetition. After that there is a tropism toward repetition, for the patterns involved are defenses, bulwarks against time and despair. Wahram was very aware of this, having lived the process many times; so he paid attention to what he did when he traveled, on the lookout for those first repetitions that would

So habits were not truly iterative, but pseudoiterative. The pattern of the day might be the same, in other words, but the individual events fulfilling the pattern were always a little bit different. Thus there was both pattern and surprise, and this was Wahram’s desired state: to live in a pseudoiterative.

in residual-emergent models, any given economic system or historical moment is an unstable mix of past and future systems. Capitalism therefore was the combination or battleground of its residual element, feudalism, and its emergent element—what?

“Solvitur ambulando,” Pauline said. “Latin for ‘It is solved by walking.’ Diogenes of Sinope.”

Too often in his past, meaninglessness had gnawed at the edges of things. He needed order, and a project; he needed habits. In the nakedness of the moments of exfoliation, the intensity of experience had in it a touch of terror—terror that no new meaning would blossom to replace the old ones now lost.

But then also to live in a good pseudoiterative, an interesting one, the pattern constructed as a little work of art. No matter the brevity of a trip, the dullness of the terrarium or the people in it, it was important to invent a pattern and a project and pursue it with all his will and imagination. It came to this: shipboard life was still life.

There is no alternative to continuing to struggle

to form a sentence is to collapse many superposed wave functions to a single thought universe. Multiplying the lost universes word by word, we can say that each sentence extinguishes 10n universes, where n is the number of words in the sentence. Each thought condenses trillions of potential thoughts.