Brian Thomas Clark

And on the internet in 2025, true transgression means making something algorithms can’t promote.

We are adrift–a culture of consumers accustomed to buying objects and building collections as the sole means of documenting our cultures–deprived of the infrastructure to do so. But our individual inability to collect and store is one I’ll lament the least.

Yes, we’re drifting, but maybe we can choose to float towards a more collective stewardship... See more

In “This Is for Everyone,” Berners-Lee argues that the web’s lack of compassion is “a design issue ” that can be fixed. “There’s still time,” he writes, “to build machines that serve the human,” that “promote the dignity of our fragile species on this isolated globe.” It’s a moving vision. But it’s hard to reconcile with the entropy of today’s... See more

Thinking of yourself as an observer is better for your happiness than obsessing over being observed.

“Authenticity”, I think, looks like the power to opt in or out, perform or not, when you want to—in other words: freedom. So when it comes to the Internet, if switching off entirely isn’t possible any more, then surely the words of MGMT can be useful: “control yourself, take only what you need from it.”

If your intention is to become a singer, Eugenio, then you need to sing and sing and sing some more. Whether or not you go into the studio when you have the chance is not really up for debate. It is your duty to yourself to do so. If you do not take these opportunities to sing, you may forever be that melancholy boy peering through the window of a... See more

If AI is able to suddenly pump slop into our environment it’s only because we already turned on the faucets ourselves. Just think about all the garbage content that people you actually know send you via text, or the DMs that feel like they’re from bots but are actually from real people driven by platform incentives (Instagram, LinkedIn, Facebook,... See more

In the artist of all kinds, I think one can detect an inherent dilemma, which belongs to the co-existence of two trends, the urgent need to communicate and the still more urgent need not to be found. This might account for the fact that we cannot conceive of an artist’s coming to the end of the task that occupies his whole nature.