Brian Thomas Clark

But the curation was never about financial reward. It was “there's a small unscalable business here about taste, that people rely on and really like, and everyone who works on it doesn't make very much money, but they're very cool.” We just don't live in a world where that's an acceptable way to live. There's a lot of economic pressures and again,... See more

The gift with the highest return: believing in someone before they believe in themselves.

During the Romantic era, keepsakes were albums of fine engravings, often given as gifts, that sealed an emotion or celebrated a special occasion. This word, which combines to keep (to keep, preserve) and sake (a mark of friendship or consideration), takes on a particular resonance in our digital culture. At its core, it holds tensions related to... See more

The ones and zeroes of the digital map tolerate no error or noise. It’s an auto-tuned reality where everything is on the note or it doesn’t exist. Never mind that James Brown reaching up to that note is where we find the soul of the music. In the world of digital figures, that expression of the human soul — that stuff between the official notes —... See more

Moskowitz blames techno-capitalism’s monetisation of human emotion. Social platforms, they argue, create environments in which users willingly contort themselves into ever more extreme versions of themselves – louder, cringier, more exposed – just to be seen. It’s the natural byproduct of systems that reward emotional spectacle and penalise silence... See more

AI images remove viewers from the complex conditions of life in favor of commercially or politically expedient fantasy, all while packaging this fantasy in a realist mode that makes it less ideologically suspicious, easier to take at face value.

Collins suspected, as I do, that the books he can’t remember must have had an effect on his brain anyway, that the experience of reading and engaging with the texts must have changed him in some deeper way, leaving “a kind of mental radiation — that continues to affect me even if I can’t detect it.”

This, I think, is another reason why Updike has so many detractors. Ever since F.R. Leavis wrote The Great Tradition , there has been a school of literary criticism that has demanded that great novelists also be great moralists: that the job of the writer is not just to reflect the world but to tell it the difference between right and wrong.

That is... See more

If your intention is to become a singer, Eugenio, then you need to sing and sing and sing some more. Whether or not you go into the studio when you have the chance is not really up for debate. It is your duty to yourself to do so. If you do not take these opportunities to sing, you may forever be that melancholy boy peering through the window of a... See more