Brian Thomas Clark
@btc
Strategist/Producer/Collector
Digital Experience Director @risd
Brian Thomas Clark
If I sometimes feel like my hard drive is full, then it doesn’t matter if what I’m adding to the drive is, on its face, soothing. It’s just more stuff, more data, more things to process. By adopting my friend’s elevated standard for what’s allowed in, I decreased the number of inputs, the number of demands for thought and work and reaction I was... See more
nytimes.com • Works of Art - The New York Times
taste and
Thirst and clout-chasiness aside, there’s no question that the ‘modern media brand’ need multi-modal expression through published content, social syndication, IRL experience, consumable goods and active community.
[SIC] 364: Emotional Technology
To correct the state of AI discourse today, we need to channel this same spirit and train our attention on the messy facts of the human, material world in which these technologies play. Only when we’ve stopped fetishizing “realism” will we be able to turn our attention to very real air, water, ecosystems, and people these technologies consume in... See more
It’s the Real Thing! | Leo Kim
Practically speaking, desktop experiences represent a past when the online world was driven from workstations, less devices , and intended to be curated, not consumed. So, as you might piece together your day again after 20 minutes needlessly refreshing a feed, let's remember what it felt like when we were surfing the internet, as opposed to it... See more
Dirt: Desktop was the place
Desktop was the place
Looking back through Bliss-colored glasses.
Patrick McKemey on the lost joys of the desktop internet.
dirt.fyi email
1/30/24
to write about the internet in a post-COVID world, specifically, means that you will have to write about everything because everything is now finally online. It’s not uncommon that I start questioning what the internet even is anymore. Is it the memes we share? Is it the platforms we share them on? Is it the infrastructure that underpins those... See more
Garbage forever
Most people lack focus, not motivation.
I write Tiny Thoughts like this in my weekly newsletter.
Each one is full of timeless insights you can use to reach your potential in life and work.
You can read past editions (and sign up to get it in your inbox) from the... See more
instagram.comBrian Eno: why I sculpt sound : "The thrill of making music is not when you succeed in meeting the brief, but when something happens that you hadn’t expected — some moment of synergy when you put together two or three familiar things and something emerges that is much bigger, more complex and surprising. The feeling at that moment — 'now I’m... See more
Smiley Shields and Blue Noise Dithering
idea-sex and
On a recent episode of Marc Maron’s WTF podcast, James Murphy of LCD Soundsystem was talking about reading Harold Bloom’s The Anxiety of Influence early on and how unconcerned he is now with being new or original. He recalled a speech he heard by Brian Eno about his early ambient work:
It’s hard to explain, but it was very easy to be new at that... See more
Article
making-meaning and
We celebrate the fact that most artists today have a huge portion of humankind’s output at their fingertips at any given moment, but we rarely think about the fact that exposure and abundance can also become a paralytic. Eno said he wanted to hear a certain kind of music, so he had to invent it for himself. Who feels the need to make new music, when you can almost always call up music that is completely new to your ears?
Sometimes when I watch my 8-year-old making music, I note how unencumbered he is by musical history and how free he is of any need to be original. He is happy, for now, to make music that is a parody of what he’s heard, and in the parodying, he comes up with his own thing. It’s new to him and that’s what’s important.
In fact, this is the great gift of children: everything is new to them, and so it can become new to you, if you let it.