Brian Thomas Clark

It’s not that anyone is forcing us to humiliate ourselves; it’s that we’ve come to equate being known with being exposed.

To be clear, some people are great at making things and simply bad at dressing. But what inspires me about the examples above is the running theme of work and talent making you look better . Too often, when we desperately search for “the perfect jeans” “the perfect tee” or “the perfect haircut,” I think that what we are really looking for doesn’t... See more

Another reason for all the division: the self itself is fragmented. As Yancey Strickler says, we are in the era of the post-individual. Strickler’s essay is deep and illuminating, but it is best summarized by a Sean Monahan quote he includes in the article: “Once upon a time people were born into communities and had to find their individuality.... See more

To correct the state of AI discourse today, we need to channel this same spirit and train our attention on the messy facts of the human, material world in which these technologies play. Only when we’ve stopped fetishizing “realism” will we be able to turn our attention to very real air, water, ecosystems, and people these technologies consume in... See more

In previous generations, depression was likely to result from internal conflicts between what we want to do and what authority figures – parents, teachers, institutions – wish to prevent us from doing. But in our high-performance society, it’s feelings of inadequacy, not conflict, that bring on depression. The pressure to be the best workers,

... See more

KRF : How do you define taste?

BD : Taste is the natural tendency to filter, mix and recombine the like and the unlike to approximate sublimity.

Part of it is me trying to navigate the external world, and the other side of it is me trying to navigate my internal world. That’s how I view fiction and non-fiction. Non-fiction is really good to help you navigate the mental models of the physical world, so you can understand how the world works, how to gain tactics and strategies to shape things... See more

As much as I share his concerns, this book repeatedly made we want to yell back at him for willfully underplaying obvious exceptions and counterarguments.

Chief among these is to what degree Chayka’s “flattening” is anything new. When he writes, “If anything, mass culture lately appears more aesthetically homogenous than ever,” he seems to forget... See more

Moskowitz blames techno-capitalism’s monetisation of human emotion. Social platforms, they argue, create environments in which users willingly contort themselves into ever more extreme versions of themselves – louder, cringier, more exposed – just to be seen. It’s the natural byproduct of systems that reward emotional spectacle and penalise silence... See more