Ashish
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Ashish
Wabi-Sabi: This Japanese aesthetic concept embraces the beauty of imperfection and impermanence.
Today’s Pill #210: “Flowers are only flowers because they fall”
Related to Flowers are only Flowers because they fall.
A flower spreads a deep love and a peaceful sweetness in a unique, silent and generous gesture in a world torn by pain and sorrow. It expresses an ever-present harmony which love alone posseses.
The Mother: Conversation with a Disciple, February 25, 1961
What is a spirit?
Spirit is the totality of existence, of which each individual is a part. You are spirit. Spirit isn't something you have, but rather what you are.
It's the vast, underlying essence of your being, like the massive part of an iceberg hidden underwater. A small visible tip of an iceberg represents the limited self-perception, while the
... See moreFrom the vijnanam to the annam is the aparardha or lower part of existence where Vidya is dominated by Avidya; from the ananda to the sat is the parardha or higher half in which Avidya is dominated by Vidya and there is no ignorance, pain or limitation.
The Incarnate Word
Man, according to Vedic psychology, consists of seven principles, in which the Atman cases itself,—annam, gross matter; prana, vital energy; manas, intelligent mind; vijnanam, ideal mind; ananda, pure or essential bliss; chit, pure or essential awareness; sat, pure or essential being.
The Incarnate Word
life’s most precious moments are often temporary, making them even more valuable.
Today’s Pill #210: “Flowers are only flowers because they fall”
Beauty in Impermanence
the duality between Purusha-Prakriti hides an underlying unity which manifests at the physical, vital, mental and higher levels
Reconciling Samkhya, Vedanta and Tantra
The Mahabharata: Mythology or Historical Reality? An Exploration of Ancient Narratives and Modern Interpretations
ijhssm.orgindian philosophy and mahabharata
The paper investigates whether the Mahabharata should be seen strictly as mythology, as real history, or as a convergence of both, analyzing archaeological, literary, genetic, and astronomical evidence.
Myth vs. History:
The Mahabharata contains clear mythological elements: divine interventions, supernatural events, and moral allegory.
However, geographic accuracy, cultural details, and certain archaeological findings imply historical foundations beneath the legendary stories.
Prominent personalities (Ranveer Allahbadia, etc.) view the Mahabharata as "metaphorical reality."
2. Archaeological Evidence:
Excavations at sites like Kurukshetra, Hastinapur, and Ahichatra by B.B. Lal uncovered Painted Grey Ware pottery, tying these places to the Mahabharata era.
Marine archaeology at Dwarka (S.R. Rao) revealed submerged city remains and artifacts aligning with the epic's account of flooded Dwarka.
Other pottery findings and city remains reinforce the possibility of historical events underlying specific stories in the Mahabharata.
3. Genetic and Demographic Evidence:
Nilesh Nilkanth Oak and geneticist Monica Karmin argue that the massive male death toll described after the Kurukshetra War led to a genetic "bottleneck."
Modern genetic data (Y-chromosome diversity) shows a sharp reduction in male lineages around 7,500 years ago (matching the proposed war date of 5561 BCE), especially in South Asia. This suggests a real, catastrophic population event that could align with the war narrative.
4. Astronomical Dating:
Studies of references to eclipses and planetary alignments in the Mahabharata (Bijan Kumar Gangopadhyay) date the war to around 3102 BCE, close to other calculations by ancient scholars (Tilak, Aryabhatta).
These findings support the view that the epic encodes actual celestial observations and events.
5. Myth, Science, & Cultural Interpretation:
Some miraculous events (like embryo transfer, flying vimanas) could be early, mythologized references to advanced technologies (surrogacy, aeronautics), hinting at scientific knowledge encoded in myth.
Scholars like Romila Thapar and Wendy Doniger stress the Mahabharata's value as both a cultural mythos and a possible window into real history, with narrative fairy tales used to convey philosophy and dharma (ethics).
6. Conclusion:
The Mahabharata blends mythology, history, and philosophy. Ongoing archaeological, genetic, and astronomical research continues to clarify its foundations. It should be approached as a document recording the social, ethical, and possibly historical evolution of ancient Indian civilization, rather than as pure myth or literal fact. The boundary between fiction and history remains porous, but research increasingly supports the idea that the epic is rooted in substantive historical realities, dramatized and encoded in India's most revered narrative.