Remember, every session gets you closer to your 25-hour weekly painting goal. This two-hour block is a solid chunk of that target. Why not try experimenting with spatial ambiguity in a new piece? It could be an interesting evolution of your recent work.

Carnival mask

Chapeau de carnaval

Grab a sketchbook and let's go tree gazing

Idea that already up there: DATADADA — Where Data meets Dadaism, chaos disrupts digital order.

I do no longer paint because it's trendy, or it brings me love on social media. But don’t ask me why I do it

collector club

the significance doesn’t matter. The historical significance deadens it. Across those unbridgeable distances—between bird and painter, painting and viewer—I hear only too well what’s being said to me, a psst from an alleyway as Hobie put it, across four hundred years of time, and it’s really very personal and specific. It’s there in the light-rinse

Painting in the mind is the destination. Painting in the hand is the journey.

how do you see this freedom of expression and dedication to craft manifesting in your current pieces for the exhibition?

This unconscious absorption of your surroundings into your art speaks to your deep sensitivity as an artist.

It's as if you've been a conduit for the neighbourhoods spirit, translating its energy into your vibrant colours and dynamic forms.