aron
@aronshelton
Designing and navigating various contextual arrangements with an enigmatic sense of hope. #wayfinder
aron
A Sapphirepunk Manifesto
sapphirepunk.com
Beyond the Binary
open.substack.com
Draw a distinction – and cross it.
“…move beyond our comfortable binaries and recognise them as interfaces: places of friction, possibility, and perpetual movement. Every meaningful change, every genuine innovation, arises at the interface—where differences meet, transform, and evolve.”
This quote from Elias Canetti, I think really solves what we're discussing: “A crowd exists as long as it has an unattainable goal. The image is acquired and there is nowhere else to go.” Setting off images allows crowds to condense their energy somewhere.
I’m glad that I’m not the only one who misses old school human curation. For me, it’s more about wanting a connection moreso than valuing the actual thing being shared. I think this trend is accelerating. With generative AI and the ever-present algorithm that has sucked itself into every facet of our life, a part of the response to it will result... See more
Simon de la Rouviere • The Human Medium is the Human Message
I wonder how many of the fears I hear about AI are really fears about ourselves as humans. How easy it is for people to replace others in the name of power and efficiency. To steal from others and call it innovation. To project love, belief and meaning onto the inanimate.
Ņ̨͈̯̻̪̥̥ͅick S̘͓͙usix.comWhen we innovate only in terms of a solutionist framework, Easterling argues in her book Medium Design , we optimize for static outcomes wedded to the status quo of product-market fit. Solutions are one-time fixes, usually implemented by someone else, which break as soon as the context they ’re responding to changes (which it does, constantly).
... See moreGuy Mackinnon-Little • The Product is the Process: Prototyping Reality with Public Assembly – ZORA ZINE
In a long-context world, maybe the organizations that benefit from AI will not be the ones with the most powerful models, but rather the ones with the most artfully curated contexts.