aron
@aronshelton
Designing and navigating various contextual arrangements with an enigmatic sense of hope. #wayfinder
aron
Cameron, you’ve said that when you’re not feeling particularly creative, you listen to a song, or watch a movie, or read a book, and before long you get “the urge to respond.” We typically hear the creative act described as, you know, there’s a void, and a flash of lighting cracks through it. But I really like that idea of response as intrinsic to... See more
The vast interconnection enabled by digital platforms has ended up creating more of a sense of sameness than diversity. Users are subtly guided toward the same subsets of topics, urged on by recommendations that are designed not to serve their interests but to create profitable attention fodder to sell to advertisers. Instagram doesn’t care that... See more
Welcome to Filterworld｜Dirt
People have always been good at imagining the end of the world, which is much easier to picture than the strange sidelong paths of change in a world without end.
Rebecca Solnit • Hope in the Dark: Untold Histories, Wild Possibilities
What made the trilogy so stunning and atypical as a sci-fi story was the fact that Liu wasn’t interested in interrogating whether humans deserved to survive. Instead, the novels explored the danger of connection, of the way a thought, once shared, can expand into an unstoppable force—a radical, terrifying ideology or a shrewd solution to a... See more
The first thing I wanted to mention is that we often think about imagining as a “thinking” thing. We talk about “rethinking” and “thinking” about the future. But what we found is that our imagination practices and labs really focus a lot on the feeling. And actually we need to start cultivating a new feeling of the future, feeling into what the... See more
Phoebe Tickell • Cultivating Everyday Imagination
capital demands design address the hyper-specific moment of The Now; the site of consumption, of transaction. Thats all it cares for; where it eats. But we all live in the permanent ruins of what is created for that moment. designers should design them instead. that is our world.
ཊལབསརངཧtwitter.comdesign and
The Product is the Process: Prototyping Reality with Public Assembly – ZORA ZINE
Guy Mackinnon-Littlezine.zora.co
provocations and design
The fork on your plate isn’t inevitable—it’s propaganda. Its design has been polished by centuries of iteration, yes, but also by centuries of forgetting. We stopped asking why a fork looks the way it does because it became too familiar to question. It’s not a tool anymore; it’s a dogma.
But supernormal isn’t about inevitability. It’s about normalization. When something becomes so ubiquitous, so embedded in daily life, it disappears from view. That’s not just true for objects—it’s true for the systems we live by. Markets, money, time.