anna
@annahoward
anna
@annahoward
There’s always an imaginary other, a “model reader” (to use Umberto Eco’s useful expression) who’s there in the corner of your mind. To write a novel or a poem, they say, you need to have a sense of a reader: your mental picture doesn’t have to be exact or personalized, but no work exists without an imaginary third participant. There’s always you,
... See morethe process—thinking, making, critique—proved transformative. The school wasn’t teaching design as ornamentation or styling. Instead, it was an intense course in principled thinking and creating connections between fields of art and making. It forced you to depart from your comfort zone and expertise as an artist and then return to apply it with ne
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