Anna B
@annabwriting
Anna B
ou can hear in the delaying rhythms of the opening sentence the influence of Marcel Proust and the digressive, paid-by-the-word style of Thomas De Quincey, whose essays Woolf had lately looked into for the first time
Brian Dillon • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
Finding meaning in something random was described by researchers as an important factor in the formation of paranormal and delusional beliefs, and has been found to be implicated in vulnerability to schizophrenia.
Dr. Hannah Rose • The Dangers of Apophenia: Not Everything Happens for a Reason
Our initial findings suggest that open goals can lead to performance at least as good as (and in some cases better than) SMART goals
Christian Swann • So-Called ‘SMART Goals’ Are a Case of Style Over Substance
we embark on a mysterious paratactic excursion, with no punctuation and no hint, for what seems an age, that our destination is the dentist’s chair: “we go down… and feel … and wake … and come to the surface … and confuse…” Everything tends toward the sentence’s second and final dash—the first dash, the dentist’s, may as well be any instrument at
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