Anna B

1) Write. There is no substitute. Write what you most passionately want to write, not blogs, posts, tweets or all the disposable bubblewrap in which modern life is cushioned. But start small: write a good sentence, then a good paragraph, and don’t be dreaming about writing the great American novel or what you’ll wear at the awards ceremony

Most significant to those of us interested in the Heroine’s Journey is that for a hero in a Hero’s Journey, a prevailing concept and perpetuated message is that asking for (or needing) help is BAD. Because a hero who asks for help is perceived as weak by the story

ou can hear in the delaying rhythms of the opening sentence the influence of Marcel Proust and the digressive, paid-by-the-word style of Thomas De Quincey, whose essays Woolf had lately looked into for the first time

We are building something immense together that, though invisible and immaterial, is a structure, one we reside within—or, rather, many overlapping structures.

” and it’s hard to think of a verbal array whose structure better mimics both its subject and the larger text of which it’s part: precisely because, despite its exquisitely shaped adventure, the sentence finally fails to hold itself together.

When Alice’s Adventures in Wonderland was read to me and Alice sighs, “Oh, how I long to run away from normal days! I want to run wild with my imagination,” I remember rising up from my pillow and thinking, yes, yes, that’s it exactly.

Seven times—four hows and three whats —the sentence invites us to anticipate a logically and artistically satisfying terminus