But labels and rights-holders see the same tools as built on an enormous act of industrial-scale theft. Decades of copyrighted recordings, the fruits of 100 years of human artistry, have been scrapped and repurposed as training data without so much as a licensing check or a royalty paid.
In a completely ultra-poptimist world, there would be no available incentives to create novel, complex, or ambiguous works of art. We would have to rely on artist altruism or insanity.
Good nature is, of all moral qualities, the one that the world needs most, and good nature is the result of ease and security, not of a life of arduous struggle. Modern methods of production have given us the possibility of ease and security for all; we have chosen instead to have overwork for some and starvation for others. Hitherto we have... See more