alice smith
@alicesmith
alice smith
Digital platforms are largely devoted to making users consume more, faster—think of TikTok’s frenetic “For You” feed or Spotify’s automated playlists. Curators slow down the unending scroll and provide their followers with a way of savoring culture, rather than just inhaling it, developing a sense of appreciation
Kyle Chayka • The New Generation of Online Culture Curators | The New Yorker
Are you feeding your algorithm or is it feeding you?
morningfyi.substack.com
When reading about the motivation for launching these various curation initiatives, it’s clear that it’s not only about rebellion, but also about the critical act of archiving.
idle gaze 033: defending the eccentricity of human taste.
My perennial thought will always be, if the internet didn't exist in the state that it did now, we would have so many rich, interesting scenes, because people have to work to share that.
Overmining, extracting and under funding, are we killing culture?
Between Entities and Identities: The Internet of Egregores
Exploring the concept of egregores, the text examines how collective online identities and fandoms manifest as influential forces within digital platforms, shaping social dynamics and individual experiences in the digital landscape.
zhexi.info“even a ‘main character’ on the timeline means partaking in a conscious performance and leaning into a particular version of a public character”
this is interesting bc with the abundance of info, we are now turning to each other and those who we aspire to to see what they’re consuming to get the 'best' and their personal curations. Additionally, as ppl become more comfortable with wanting to know every detail, it's only a matter of time before we start using the 'following' feature on IG
... See morethe idea of what “public space” looks like on the internet... Not as in anyone can see , but as in a place that can be crowded or empty. A place where you can run into people you know or interact with others who are there at the same time.
strat*scraps_v152
grey areas of the web
Despite all the crises we face – the cost of living, climate change, AI – any of which should surely be enough material to inspire real and meaningful art, the overwhelm of information paired with exhausting post-capitalist forces has created an atmosphere that is nihilistic and excruciatingly mid.
How Did Everything Get So Mid?
“I realized that internet policy-makers and internet artists have similar interests, but different skill sets. Internet artists make work that questions themes of data extraction, surveillance, provenance, identity, and this open display creates a cultural shift that then provides enough momentum for a policy shift. Then once it moves into that... See more