alice smith

“I realized that internet policy-makers and internet artists have similar interests, but different skill sets. Internet artists make work that questions themes of data extraction, surveillance, provenance, identity, and this open display creates a cultural shift that then provides enough momentum for a policy shift. Then once it moves into that

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Because brands are only as old as the people who direct them. That’s why you’re now seeing a deterioration of people following brands, as opposed to designers and stylists.

So it’s going to be about celebrity?

It’s going to be about visionaries.

It’s long past time that we realized these systems are not benefitting culture. Creators and consumers alike are pushed into preset formats that we may ultimately have no organic interest in. By giving in to algorithmic feeds, we are letting tech companies determine our tastes.

Despite all the crises we face – the cost of living, climate change, AI – any of which should surely be enough material to inspire real and meaningful art, the overwhelm of information paired with exhausting post-capitalist forces has created an atmosphere that is nihilistic and excruciatingly mid.

My perennial thought will always be, if the internet didn't exist in the state that it did now, we would have so many rich, interesting scenes, because people have to work to share that.

Curators slow down the unending scroll and provide their followers with a way of savoring culture, rather than just inhaling it, developing a sense of appreciation.