alice smith

Digital platforms are largely devoted to making users consume more, faster—think of TikTok’s frenetic “For You” feed or Spotify’s automated playlists. Curators slow down the unending scroll and provide their followers with a way of savoring culture, rather than just inhaling it, developing a sense of appreciation

“I realized that internet policy-makers and internet artists have similar interests, but different skill sets. Internet artists make work that questions themes of data extraction, surveillance, provenance, identity, and this open display creates a cultural shift that then provides enough momentum for a policy shift. Then once it moves into that

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Brands are just tools for consumers to describe their personality. If your personality is flat, then you wear obvious things.

Curators slow down the unending scroll and provide their followers with a way of savoring culture, rather than just inhaling it, developing a sense of appreciation.

the idea of what “public space” looks like on the internet... Not as in anyone can see , but as in a place that can be crowded or empty. A place where you can run into people you know or interact with others who are there at the same time.

In the last ten years, pattern recognition has become a cultural activity. You see that on the bad end, like QAnon, and on the more fun end with the pervasiveness of trend forecasting.

It’s long past time that we realized these systems are not benefitting culture. Creators and consumers alike are pushed into preset formats that we may ultimately have no organic interest in. By giving in to algorithmic feeds, we are letting tech companies determine our tastes.

As Shumon Basar put it, we're living in the era of LoreCore: 'a prevalent stage of reality in which we're all characters; characters who are also audiences.' From Coquette to Mermaid fashion, from Doe to Siren Eyes, codified styles are 'guiding' our characters' journey, while optimizing it for digital consumption.