alice smith

“We’re moving away from the need to say, ‘These items put together are an aesthetic,’ and moving towards a more fluid state,” Panzoni says. Instead of “grabbing” an aesthetic as a whole, consumers can take elements and incorporate them into their own style. “This shift is why we haven’t seen a micro-trend pop in a little bit,” she says.

In Curators are the new Creators, Gaby argues that this will create opportunities for curators — increasingly, we will pay people with good taste to help us sort through the ever-growing mass of information.

The business of good taste has been well documented. There are plenty of businesses that address the question “what should I read?”; The... See more

Algorithmic recommendations can be formulaic – if a person is creating a playlist, there’s always the potential for chaos, which is kind of fun.

For thousands of years, Earth’s resources have been extracted by bodies, most of whom were not free. But now it’s our bodies and ourselves being extracted.

- Hans Ulrich Olbrist

As Shumon Basar put it, we're living in the era of LoreCore: 'a prevalent stage of reality in which we're all characters; characters who are also audiences.' From Coquette to Mermaid fashion, from Doe to Siren Eyes, codified styles are 'guiding' our characters' journey, while optimizing it for digital consumption.

Computers can see us as large groups, but they’re glum and only aggregate us to sell us stuff. In reality, the computers give great insight into the power of common identity between groups. No one’s using that. What’s sitting with the computers is a way of seeing new groups, new common identities between people.

“I realized that internet policy-makers and internet artists have similar interests, but different skill sets. Internet artists make work that questions themes of data extraction, surveillance, provenance, identity, and this open display creates a cultural shift that then provides enough momentum for a policy shift. Then once it moves into that

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The problem goes deeper than this. Increasingly our tech also opens us up to new vectors of anxiety. Regardless of whether you’re working more or less, your nervous system is now plugged into a neurotic and hypersensitive globe-spanning information system that’s constantly pushing unnecessary things into your consciousness.

In the last ten years, pattern recognition has become a cultural activity. You see that on the bad end, like QAnon, and on the more fun end with the pervasiveness of trend forecasting.