In Curators are the new Creators, Gaby argues that this will create opportunities for curators — increasingly, we will pay people with good taste to help us sort through the ever-growing mass of information.
The business of good taste has been well documented. There are plenty of businesses that address the question “what should I read?”; The... See more
the idea of what “public space” looks like on the internet... Not as in anyone can see , but as in a place that can be crowded or empty. A place where you can run into people you know or interact with others who are there at the same time.
The problem goes deeper than this. Increasingly our tech also opens us up to new vectors of anxiety. Regardless of whether you’re working more or less, your nervous system is now plugged into a neurotic and hypersensitive globe-spanning information system that’s constantly pushing unnecessary things into your consciousness.
When reading about the motivation for launching these various curation initiatives, it’s clear that it’s not only about rebellion, but also about the critical act of archiving.
One way to monetize curation is through a paid newsletter, with the Everything Bundle as a great example. Other opportunities include blogs, ebooks, e-commerce stores, and consultations/speaking gigs. I even came across ReadBase during my research, which allows curators to monetize their bookmarks and reading lists. In any case, curators can find... See more
Despite all the crises we face – the cost of living, climate change, AI – any of which should surely be enough material to inspire real and meaningful art, the overwhelm of information paired with exhausting post-capitalist forces has created an atmosphere that is nihilistic and excruciatingly mid.
My perennial thought will always be, if the internet didn't exist in the state that it did now, we would have so many rich, interesting scenes, because people have to work to share that.