alice smith

The problem goes deeper than this. Increasingly our tech also opens us up to new vectors of anxiety. Regardless of whether you’re working more or less, your nervous system is now plugged into a neurotic and hypersensitive globe-spanning information system that’s constantly pushing unnecessary things into your consciousness.

It’s long past time that we realized these systems are not benefitting culture. Creators and consumers alike are pushed into preset formats that we may ultimately have no organic interest in. By giving in to algorithmic feeds, we are letting tech companies determine our tastes.

As Shumon Basar put it, we're living in the era of LoreCore: 'a prevalent stage of reality in which we're all characters; characters who are also audiences.' From Coquette to Mermaid fashion, from Doe to Siren Eyes, codified styles are 'guiding' our characters' journey, while optimizing it for digital consumption.

“We’re moving away from the need to say, ‘These items put together are an aesthetic,’ and moving towards a more fluid state,” Panzoni says. Instead of “grabbing” an aesthetic as a whole, consumers can take elements and incorporate them into their own style. “This shift is why we haven’t seen a micro-trend pop in a little bit,” she says.

“I realized that internet policy-makers and internet artists have similar interests, but different skill sets. Internet artists make work that questions themes of data extraction, surveillance, provenance, identity, and this open display creates a cultural shift that then provides enough momentum for a policy shift. Then once it moves into that ter

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I’m curious about the way it’s impacting our inner monologues. The constant self-analysis, the picking-apart, the internal work . In collusion with capitalism and social media and the digital panopticon, seeing ourselves through a therapized lens means regarding the self as the ultimate project. It’s easy to forget there are other ways to live.

the idea of what “public space” looks like on the internet... Not as in anyone can see , but as in a place that can be crowded or empty. A place where you can run into people you know or interact with others who are there at the same time.

In Curators are the new Creators, Gaby argues that this will create opportunities for curators — increasingly, we will pay people with good taste to help us sort through the ever-growing mass of information.

The business of good taste has been well documented. There are plenty of businesses that address the question “what should I read?”; The Browse... See more