Alex Burns

Forty hour work weeks are a relic of the Industrial Age. Knowledge workers function like athletes—train and sprint, then rest and reassess.

It’s fitting, then, that A24 and director Jane Schoenbrun have staked a large part of the movie’s experience on another relic of the pre-streaming era: the compilation soundtrack. The I Saw the TV Glow OST is the type of project you don’t see much of in 2024. It’s a who’s who of indie music mixed with a handful of rising artists, all providing... See more

It would make sense to say that, despite appearances, third-order vanity ratchets up the neuroticism, rather than quiets it down. But what I find most interesting about third-order vanity is that often its most prolific purveyors seem so lost in their role that they’re almost unaware they’re performing at all.

But it was serving a function for you because that is one form of “like.” It’s what we call in linguistic speak a “quotative like,” and that “like” substitutes for the verb “to say.” What you are doing is saying, “I’m not telling you verbatim what the teacher said. I’m giving you sort of my subjective recall of what she said.” It’s a really useful... See more

Betches is exploring a variety of strategies to grow, from sports and events to a splashy podcast deal with the TikTok news star V Spehar of Under the Desk News. It’s in talks for a partnership with the comedian Ilana Glazer (a gushy fan who described Betches as “if ‘Broad City’” — her cult hit TV show — “were a media company”).

DeLong and Hofstadter both found great beauty in what the latter called strange loops—occasions when mathematical systems or works of art or pieces of music fold back upon themselves. M. C. Escher’s drawings are a great, overt example of this. Take his famous picture of two hands drawing each other; it’s impossible to say where it starts or ends.... See more