Hyper-Reality presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media.
In the course of learning about the flavor, chemistry and textures of meat and so forth, we know quite a lot about the difference between pork and beef. And we know other meats from animals, so to speak, where you set the knobs with respect to the flavor chemistry. And we can navigate that whole space. We can create things that would be... See more
When I take a screenshot, it feels like a tiny rejection of the logic of the contemporary corporate internet. Instead of offering up fragments of my photographic life to the computer gods, the screenshot feels like I’m stealing something back from the computational world for my own uses, removing it from the networked flow (sure, some of these... See more
Aggregators are incentivized to limit composability. By contrast, the value of a web3 token may actually increase when composed with other systems. The money flowing through web3 is mediated by open source smart contracts, rather than closed source software owned by corporations. This feels completely asymmetric. I cannot imagine a Facebook or... See more
Especially on the web, we are used to a a kind of a document metaphor that, the web is just built for, which is a kind of a vertically scrolling infinite page. Infinite canvases are essentially like a different document format. This idea of that there are two dimensions, or almost three. You know, you can move left, you can move right, you can move... See more
Take reading seriously, develop a passion for it, and view it as part of your practice as a knowledge worker to get ahead, but along the way, having fun doing so.
This is why websites are so important. They allow the author to create not only works (the “objects”) but also the world (the rooms, the arrangement of rooms, the architecture!). Ideally, the two would inform each other in a virtuous, self-perfecting loop. This can be incredibly nurturing to an artist’s practice.