Sublime

-Reggie James

Reading about Michel Majerus painting during the first internet era.

It reminded me how alive the AI era feels when I’m making things.

• Marc, Founder of Danger Testing

I had the chance to attend Frieze Soul, where I encountered The Language of The Enemy, an exhibition by Adrián Villar Rojas which occupied all four floors of the Art Sonje Center: “Emerging at a moment when humanity teeters at the edge of its own continuity, Villar Rojas’s work inhabits the liminal space between extinction and inheritance.” — ANU, WHAT'S ANU

I think about “Guitar” by Mac DeMarco, an incredibly unadorned album that’s one of the realest things I’ve ever heard, and a daily listen for half the year. The songs are great and the guitar playing deliberately basic and emotive (try “Punishment” and “Nothing At All”) while Mac lays bare his heartache. The whole album has an honesty and authenticity worth aspiring to whatever your practice.

"Four Talks" by Laurie Anderson at the Hirschhorn Museum in Washington D.C. A full room installation in which every surface is painted on with wisdom/provocative jokes. Monumental in terms of actual size, as well as the three-dimensional way it represents an artist's brain. What it can/look/feel/be like when you let go into the dream. 

- Yancey Strickler

I think about "Guitar" by Mac DeMarco, an incredibly unadorned album that's one of the realest things I've ever heard, and a daily listen for half the year. The songs are great and the guitar playing deliberately basic and emotive (try "Punishment" and "Nothing At All") while Mac lays bare his heartache. The whole album has an honesty and authenticity worth aspiring to whatever your practice.

- Yancey Strickler