Sterling Proffer
@sterling
Sterling Proffer
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plusdocs.com
So to me, the problem is not with the buying, nor even with the culture-grifting of brands, but with some kind of insufficiency on the part of the companies themselves. If the meanings they have on offer are starved versions of cultural membership, then perhaps, I started to feel, the brands aren’t going far enough. Could we imagine a version of a... See more
Toby Shorin • Life After Lifestyle
Is the new Dune 2 poster supposed to look like a meme?
creativebloq.com
This is the publishing paradox nowadays: opportunities come to you in direct proportion to your ability to operate without them.
Ted Gioia • Record Labels Dig Their Own Grave. And the Shovel is Called TikTok.
The “good computer” which Graphcore, a British chip designer, intends to build over the next few years might seem to be suffering from a ludicrous case of nominal understatement. Its design calls for it to carry out 1019 calculations per second. If your laptop can do 100bn calculations a second—which is fair for an average laptop—then the Good... See more
Huge “foundation models” are turbo-charging AI progress
In the past thirty years what it means to be an artist has dramatically changed.
Before the internet, being an artist meant operating in a very specific area where the gatekeepers, critics, and ways of doing things were well-structured and defined. You as the artist plugged into this system if invited (most artists... See more
instagram.comNobody deserves support, public or otherwise, for making something no one wants. Artists, in that respect, are not any different from people who open restaurants or shops, many of which also fail. Being an artist is not a job. In economic terms, it is a business.