Sarah Taylor Thorne
@staylorthorne
Sarah Taylor Thorne
“Figure out what your freak flag is and fly it as high as possible.” I think that specificity is what magnetizes everybody else’s inner freak, and that rabidness — the “Oh, that guy sees me” — that’s the cult.
The (entire)world according to Scott Sternberg.
Biz advice
Often when I start writing I discover lots of other people are writing about similar themes quite eloquently and decide maybe I didn’t have anything new to say after all. That is still the metrics-poisoned perspective, even if it’s not directly quantified, because it is still rooted in being unique or the first or whatever. The care-ful of looking ... See more
kill the metrics in your head
On writing in public, among other things
Overture, 2001 by Richard Mayhew - Paper Print - SFMOMA Custom Prints - Custom Prints and Framing From the San Francisco Museum of Modern Art
customprints.sfmoma.org
Buffet, 1972-1975 by Wayne Thiebaud - Paper Print - SFMOMA Custom Prints - Custom Prints and Framing From the San Francisco Museum of Modern Art
customprints.sfmoma.org
Untitled (Spanish Refugee Aid C), ca. 1971 by Alexander Calder - Paper Print - SFMOMA Custom Prints - Custom Prints and Framing From the San Francisco Museum of Modern Art
customprints.sfmoma.org
Still Life with Orange Peel, 1955 by Richard Diebenkorn - Paper Print - SFMOMA Custom Prints - Custom Prints and Framing From the San Francisco Museum of Modern Art
customprints.sfmoma.org
Display Cakes, 1963 by Wayne Thiebaud - Paper Print - SFMOMA Custom Prints - Custom Prints and Framing From the San Francisco Museum of Modern Art
customprints.sfmoma.org
Berkeley #57, 1955 by Richard Diebenkorn - Paper Print - SFMOMA Custom Prints - Custom Prints and Framing From the San Francisco Museum of Modern Art
customprints.sfmoma.org
Sentinels, ca. 1920 by Anne Bremer - Paper Print - SFMOMA Custom Prints - Custom Prints and Framing From the San Francisco Museum of Modern Art
customprints.sfmoma.org