SpaceXponential

We reached a head at a certain point. Our disagreements with Stuart were about what type of person should be on the platform, what they should be doing, and what’s allowed. We wanted anything to be allowed and there not to be a hierarchy, or telling someone what’s important or not. Stuart was very much the opposite, and he wanted to control the qua... See more

... I realized I associate art with gifts. You don’t mark a true gift with a monetary value. You don’t predict the rise and fall of that value. If an art is important to you, you want to hold onto it, instead of trading it with others. And if an art is to initiate a spiritual experience for an audience, it should not involve itself with transa... See more

Eventually, I began coding some rough prototypes for John Michael and Stuart. At that point, we didn’t talk about how it would be a business or even how it would function on a practical, user, or human level. It was really, really utopian.Those days we asked questions like, “How does a person be their best self on the internet?” and “How do you get... See more

Most of what the crypto world calls art is entertainment, or fashionable assets. They snatch your attention. They care more about making a tweet or a headline declaring they SOLD OUT, they set a HISTORICAL RECORD, and they tell you this is the art’s value. But the value of what? Monetary value is not a good indicator of the aesthetic value, the his... See more

The notion of epistemic sanctions clarifies what we might really mean by “consensus” in the context of public discourse — universal mutual listening , rather than universal agreement.

“Universal mutual listening” happens when publishers compete on the basis of trustworthiness, instead of on the basis of ‘facts.’

Competing on the basis of ‘facts’ most

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"I set up situations that involve abandoning control and finding out what happens." And now, in his most improbable guise yet, as artistic director of the 2010 Brighton festival, Eno wants to programme works that demonstrate why surrender is key to the sort of music and art that excite him. "I came to this idea because I noticed that when I set up ... See more

This is hardly a profound observation. It has been clear for many years that the Internet made it possible for new communities to form, sometimes with astonishing speed. The problem, as Zeynep Tufekci explained in [Twitter and Tear Gas](https://www.twitterandteargas.org/), is that the ease of network formation made these communities more fragi... See more