Severin Matusek

Art, which had previously been a way to produce discursive polyphony, aligned itself with the dominant social-justice discourses of the day, with works dressed up as protest and contextualized according to decolonial or queer theory, driven by a singular focus on identity.

It’s not financially responsible to throw our ideas around online for free anymore, but the alternative threatens the spirit of what internet community is supposed to be about.

ne side effect of the vibe shift is that the media establishment has started to accept that there is, in fact, such a thing as a Silicon Valley intellectual—not the glib, blustery dudes who post every thought that enters their brains but people who prefer to post at length and on the margins.

posting became policy

“Everyone’s focused on capabilities – typography, grids, colour theory – but those are the first things AI can replicate,” he says. “Then we pivot to taste, but taste alone isn’t resilient either. You can train a model on what’s tasteful.”

Real differentiation, Forest argues, comes from “taste- making ”, the ability to not only recognise trends, but... See more

Is it the writer’s role to be strategic or truthful?

The thousand true fans thesis builds on the original ideals of the internet: users and creators globally connected, unconstrained by intermediaries, sharing ideas and economic upside. Incumbent social media platforms sidetracked this vision by locking creators into a bundle of distribution and monetization. There are, correspondingly, two ways to... See more