Severin Matusek
- Young romantics working at the "intersection of art and technology" launched endless criticisms of big tech's overreach and in the process created the foundations for an entire scene of left-field internet aesthetics.
from What Happened to the New Internet? by Bryan Lehrer
- Writing, more visibly and unquestionably today than ever, is inherently networked. It begins and remains connected to its subject, and to everything else, becoming part of it. It acts. It does work. It lives. When we write, we reconfigure the world.
from Why I Write by James Bridle
- Le Guin and Butler use the world-building capacities of the speculative and science fictions as a cypher into the complex social, cultural, and ecological conditions of life here on Spaceship Earth[2]. In their work, Butler and Le Guin established a more empathetic kind of world-building, using the genres as a way to think critically about society ... See more
from Ecological World-Building: From Science Fiction to Virtual Reality
- A concise but wide-ranging personal history of the internet from—for the first time—the point of view of the user.
from Attention Required! | Cloudflare by Macmillan
- In Mythologies , Roland Barthes discusses how wrestling (and now, politics) uses kayfabe, the convention of presenting staged narratives and spectacles as real to capture attention and elicit a desired response from an audience.
from magic, online! by Nick Susi
- The value is really in the creator communities, and one of the fundamental reasons why Channel was what we ended up building is that it allowed us to re-bundle around ready-made communities. Our entire approach to re-networking a media system is based on how new media functions now.
from Channel and the Great Re-bundling of Media – ZORA ZINE by Yana Sosnovskaya
- The internet drastically increases the ease of finding and fulfilling one’s preferred phenomenological feedback loop, whether that be righteous anger, a sense of shared victimhood, or any other appealing gradient.
from Everyone’s Existential Crisis
- Systems Ultra goes beyond narratives of technological exceptionalism to explore how we experience the complex systems which influence our lives, how to understand them more clearly, and, perhaps, how to change them.
from Systems Ultra by Georgina Voss
- “The thing is, I can only give what I’m feeling. I’m interested in discovery. If there’s not any discovery, it doesn’t feel real to me. I’ve never considered myself the best producer or the best singer or the best rapper or any of those separate categories. But one thing I do have confidence in is my feeling.”
from Andre 3000 is at Peace (For Now) by Hanif Abdurraqib