Severin Matusek

AI boosters argue that, while, generative technologies are new and shiny, they’re at root no different from the digital technologies an artist like Fincher uses, or the practical ones an artist like Carpenter used. They argue that AI is just another tool.

But I can’t get past the fact that, for something to count as a tool, it has to help you do... See more

For years, Yarvin was best known, to the extent that he was known at all, as the court philosopher of the Thiel-verse, the network of heterodox entrepreneurs, intellectuals, and hangers-on surrounding the tech mogul.

In the face of a monolith-in-the-veldt-level era-heralder, what surfaces is an earnest, almost midcentury humanism, interested in charting the distinctions between man and machine.

Amid the breathless techno-optimist awe of artificial intelligence—and ahistorical dismissal of its novelty—it is easy to forget that the current crises of reading and writing are unprecedented in degree, but not in kind. “After Words” considers what’s actually different about today’s information overload and whether we’ve been postliterate for far... See more

In Web1, because of our age and because of the technical skills that were needed, we couldn't really participate in it.

The canonical example of the 2010s was probably the trend-forecasting agency K-HOLE, which was formed by four art-school friends who, while grifting fashion-industry jobs in New York, became ‘interested in the total collapse that comes with being the thing itself’. As it turned out, they were exceptionally good at ‘the thing itself’ – publishing... See more

Cyberfeminism—a capacious term the Index seeks to both bring into view and complicate—asks us to consider how the integration of technology into our lives should affect our understanding of the gendered self and how technology itself can serve as a tool of liberation, oppression, and intellectual dissemination.

Contemporary art exists to render the invisible. And the dominant structures and boundaries that guide our agency, constructed by the most powerful economic forces in history, are incredibly important invisible structures to render. An art game helps us to think about how we express our agency.