Severin Matusek

“How do you exhibit that? Does that create a new economy for artists? Does that require new governance structures between the institution and the artists exhibiting that work? How do we show people how exciting this is?”

The internet solved distribution for many types of creative work but it never solved monetization. Media was distributed at scale on ad-based platforms and streaming services, so in that sense it was monetized, but not in a way that meaningfully accrued to artists themselves.

According to a draft of an unpublished Substack post, his newest plan is to promote Urbit as an élite private club whose members, he believes, are destined to become “the stars of the new public sphere—a new Usenet, a new digital Athens built to last forever.”

Simply put, we don’t know what is important until many years later.

Not a day passes that I’m not reminded of these words from Ric Sluiter, art director of LILO & STITCH. https://t.co/illJ76a41j https://t.co/7jGUzcdLUa

In fact, this points to something deeper than a mere recession, i.e. a cyclical downturn. Perhaps we’re looking at a secular change: a structural reordering of what “creative work” even means. The trad creative economies of ideas, taste, and differentiation are being replaced by economies of scale, prediction and synthesis. In this regime,... See more

Such people have come to be known as the “dissident right,” a loose constellation of artists and strivers clustered around the Bay Area, Miami, and the Lower East Side micro-neighborhood Dimes Square. The milieu was drawn together by a frustration with electoral politics, Covid lockdowns, and the strictures of “wokeness.” Vice signalling has been... See more

Whenever I asked Yarvin about resonances between his writing and real-world events, his response was nonchalant. He seemed to see himself as a conduit for pure reason—the only mystery, to him, was why it had taken others so long to catch up. “You can invent a lie, but you can only discover the truth,” he told me.

The artists take a pragmatic stance—what Herndon calls the “sexy middle ground”—in debates around A.I. and tech. “We’ve been doing this forever,” her husband adds. “And then the culture war emerged on either side of us.” The pair don’t evangelize for godlike silicon intelligence, nor will they be smashing the machines. They also believe that... See more