Severin Matusek

These historical patterns show us it is entirely human to turn to the supernatural, conspiracy, spiritualism and the occult in our effort to make sense of how new technology and media might change us, both individually and collectively. It is one big cope, to regain a sense of control in a time of uncertainty and difficulty.

The belief that the Earth is flat is not in and of itself problematic for most people, since most people will never need to circumnavigate the globe. However, the effects on adherents’ social relationships are problematic. The belief both signals and generates frame shear, the lack of mutual intelligibility, with all except those who share... See more

I deeply believe that the Trojan horse for crypto adoption is intellectual property (IP) because of its ability to create trust and credibility in a space that lacks the ladder, and memecoins, like NFTs, are a form of IP.

> be me > Alexandr Wang, born January 1997 > age 19, drop out of MIT > co-found Scale AI > "what if we label data, but mid?" > convince every LLM company that this is fine > 2016–2023 > flood the market with barely-labeled goat photos... See more

Not a day passes that I’m not reminded of these words from Ric Sluiter, art director of LILO & STITCH. https://t.co/illJ76a41j https://t.co/7jGUzcdLUa

Once you understand the enshittification pattern, a lot of the platform mysteries solve themselves. Think of the SEO market, or the whole energetic world of online creators who spend endless hours engaged in useless platform Kremlinology, hoping to locate the algorithmic tripwires, which, if crossed, doom the creative works they pour their money,... See more

Functionalist theories, building on Durkheim’s insights, analyze totemism in terms of its social functions. From a functionalist perspective, totemism contributes to social cohesion by providing a shared system of beliefs and practices that reinforce group solidarity. The totemic system establishes social boundaries, regulates behavior through... See more

Local communities: we are connecting local communities, so that they can showcase their scenes and artists to the wider COLORS community around the globe.

I argued before that “social media” was an alibi for injecting more TV into people’s lives to take advantage of increased network connectivity — that we had to be persuaded that it was a pro-social thing to do to carry little TVs around and watch them at every possible moment. Conflating friendship and entertainment was part of that campaign. Now... See more