. It’s easily argued that AI is both a byproduct and an accelerator of capitalism. If this is the case, then is a fear of AI simply a fear of capitalism? It’s certainly easier to imagine life without the widespread use of AI than it is to imagine life outside of capitalism, because a lot more of us have experienced it firsthand.
“How do you exhibit that? Does that create a new economy for artists? Does that require new governance structures between the institution and the artists exhibiting that work? How do we show people how exciting this is?”
The Slowdown is also a collective of editors, writers, photographers, filmmakers, producers, creative directors, and strategists who work on special projects for major companies and brands, from a podcast series with soundproof booth company ROOM to a short documentary film for Van Cleef & Arpels and a book with Molteni (as featured in PIN–UP 37).
Influencers, she argues, do not simply advertise products; they perform a deeper ideological labor, personifying aspirational lifestyles and mediating hegemonic values under the guise of personal authenticity.
Local communities: we are connecting local communities, so that they can showcase their scenes and artists to the wider COLORS community around the globe.
The thousand true fans thesis builds on the original ideals of the internet: users and creators globally connected, unconstrained by intermediaries, sharing ideas and economic upside. Incumbent social media platforms sidetracked this vision by locking creators into a bundle of distribution and monetization. There are, correspondingly, two ways to... See more