Severin Matusek

My friend Chris Beiser says that social forms are a kind of capital that is essential to the structure of society and production. To put it a bit differently, the repertoire of forms dictates the kinds of lives that are available to us.

Kelin’s students are already power users. “I had one student who has three Claude subscriptions because they keep hitting the rate limits,” she says. “They get timed out of one, switch to the next. Timed out again, switch to the third.” By the end of the semester, several students told Kelin that her AI course was the most practical class they’d... See more

People pay to see others believe in themselves.

If the visual rhetoric of meme coins trades in irony, nostalgia, and populist spectacle, their deeper logic might reveal an even more profound dynamic: the transformation of speculation itself into a mode of promotional and ideological production.

The way that we engage with media on the internet has become laden with fandom energy. All narratives on the internet have become subsumed under the umbrella of‘content’, no matter their scale or veracity. They all have the potential to gather lore, because they can all be read the same way—like fictional media franchises. Thisincludes everyday... See more

this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes... See more

About post-individualismWe’re not going back to collectivism. It’s a new state called post-individualism.Post-individuals define their identity by both their own individual traits as well as which groups and ideologies they voluntarily subscribe to.