Severin Matusek

A lot of people say kids don’t have subcultures anymore. I don’t think that’s true. You just don’t have to commit to it like you used to. You don’t have to put on clown paint to find an identity anymore. Identity is being served around you, shaped whether you like it or not. Also, we didn’t have a number over our head every day showing our value,... See more

It seems that everyone immediately knows what we’re talking about (possibly including you, the reader) but here are some examples to paint a picture:

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I’ve noticed a new trend among the chattering classes of online AI guy hypebeast. Their current stage of grief over AGI not arriving or having very little to show in the way of ROI for their LLMs has shifted to blaming the users. To them, it’s not that AI is not working as they intended; it’s the people who are too stupid to understand how to use... See more

These historical patterns show us it is entirely human to turn to the supernatural, conspiracy, spiritualism and the occult in our effort to make sense of how new technology and media might change us, both individually and collectively. It is one big cope, to regain a sense of control in a time of uncertainty and difficulty.

The fundamental tension of narrative control in the networked era is that most companies impose a hierarchical brand management model onto what has effectively become a distributed, permissionless process. And when the emergent meme-space of networked media meets censorship-resistant infrastructures, brands take on a life of their own.

If memes were by definition hard to forget and highly transmissible, antimemes were hard to remember and resistant to multiplication. If memes had done a lot of damage, maybe antimemes could be cultivated as the remedy.

“You can play games with it,” she said of stardom (in another unexpected place, “The Howard Stern Show”), “and I think that’s a very interesting part of being an artist as well, when you can use that thing — fame, publicity — as a tool.”