Severin Matusek

“Don’t die,” says Bryan Johnson, “100 years is not enough.” But death is the only reason attention matters—and by extension, art.

As artist and AI collaborator Refik Anadol says, “This is pure collaboration , imagination with a machine.”

“Well, actually, the important part is the creation of the system”. The constraints of the system that produce infinite media are where the action happens. Who’s responsible for the aesthetic regime of Instagram? Is it people using Instagram, or is it the person who shaped the mechanics of the platform who determines that, if you show your face or... See more

The move-fast ethos that works for software deployment is potentially catastrophic when applied to human cognitive development. You can’t A/B test your way out of atrophy. You can’t pivot when you realise you’ve lost a generation of expertise.

No topic—not the genocidal war and famine in Gaza, not Trumpian authoritarianism—has magnetized bien-pensant attention this year in the way that AI has. Writing on AI thus comes in every mode: muckraking (“Inside the AI Prompts DOGE Used to ‘Munch’ Contracts Related to Veterans’ Health”), scholastic (“Deep Learning’s Governmentality”), polemical... See more

In Web1, because of our age and because of the technical skills that were needed, we couldn't really participate in it.

Institutions embody the collective agreement and fabric of meaning that, above any external forces, builds, as opposed to extracts from, cultural and social value. In the age of platforms, the challenge is to reconfigure and revive institutions, employing “intra-institutional technology” that augments their missions without cannibalizing them,... See more

Amid the breathless techno-optimist awe of artificial intelligence—and ahistorical dismissal of its novelty—it is easy to forget that the current crises of reading and writing are unprecedented in degree, but not in kind. “After Words” considers what’s actually different about today’s information overload and whether we’ve been postliterate for far... See more