According to a draft of an unpublished Substack post, his newest plan is to promote Urbit as an élite private club whose members, he believes, are destined to become “the stars of the new public sphere—a new Usenet, a new digital Athens built to last forever.”
What people such as Altman and Andreessen envision is the logical end point of technology itself—a push to eliminate cognitive resistance and bridge the gap between imagination and reality.
systems of moral demand no longer hinge on obedience, guilt, or inherited belief—but instead center emotional relief and self-optimization.21 Rieff identifies a profound shift in the symbolic order of the therapeutic age in which “controlling symbols”—those that once upheld communal order—have been displaced by “releasing symbols,” which prioritize... See more
Creator platforms algorithmically incentivize us to create at the pace Wall Street and the market demand. This is why we’re pushed to create more and more. Not because our audiences are asking for it. Not because the world needs more of what we have to say. Because we as artists, the platforms, and their investors desire, to varying degrees,... See more
Post-individuals have a desire to belong, to be seen and recognised beyond economic compensation or status. As an answer to the individualism of the creator economy, metalabels are a new paradigm where groups of people team up under a shared purpose to create public releases that manifest their point of view.
Held at the Bradbury Building and the historic Hearst Estate, the Imaginative Assemblies used blindfolded deep-listening, tactile modeling, and facilitated dialogue to probe this central question. This process collected 30 hours of audio (18GB), 4,500+ photos (16GB), and 60+ hours of film (6.7TB) across all sessions. The resultant report documents... See more
That’s what you did with Glissant – you created this moment where you were able to bridge popular culture and philosophy, and put Glissant’s totally essential worldview into so many new hands.