Severin Matusek

how in a post pandemic world, IRL is the new counterculture.

The community is currently in its pre-DAO phase during which we run various trials with early community members.

The sense is that in the fairly recent past there were social narratives that were both fulfilling and rewarding to participate in, but that for our generation and seemingly subsequent generations to come, it is becoming harder and harder to find and buy into a compelling shared telos. This is the sense of meaninglessness that prompts some people... See more

And that is what really gets me going: the dynamic between what’s going on in the world, and what it means for us as human beings.

O’Rourke is among a growing group of literary writers who have tried to answer the question in the first person, scoping out artificial intelligence’s encroachments from within the domains it most imperils. Their writing asks what AI-generated writing can or (much less often) can’t do, and how human writers can or (much more often) can’t respond.... See more

—or for the putatively spontaneous expansion of support for campaigns that were coördinated in darkness.

The biggest reason that the last two hundred years have seen a series of conflicts between the employers who deploy technology and workers forced to navigate that technology is that we are still subject to what is, ultimately, a profoundly undemocratic means of developing, introducing, and integrating technology into society.

The canonical example of the 2010s was probably the trend-forecasting agency K-HOLE, which was formed by four art-school friends who, while grifting fashion-industry jobs in New York, became ‘interested in the total collapse that comes with being the thing itself’. As it turned out, they were exceptionally good at ‘the thing itself’ – publishing... See more