Sublime
An inspiration engine for ideas
Brown and Jaźwińska posit that there are some counterforces in the publisher toolkit, including owned-and-operated platforms and cultivating more direct relationships with audiences.

Instead, I stopped trying to fit myself and Every into an old model of what a founder, software startup, or media company needs to look like. Those are all old ideas, from an older context. They can be useful when needed. But they’re dry and dead.
I’ve just tried to be honest about who I am, what I want, and what I believe to be true about the... See more
I’ve just tried to be honest about who I am, what I want, and what I believe to be true about the... See more
Dan Shipper • Every’s Master Plan
The Chris Hedges Report
scheerpost.comnot only harnessing GFMs but also ensuring they are designed to attribute, celebrate and empower creators to live sustainably.
Audrey Tang • ⿻ 數位 Plurality: The Future of Collaborative Technology and Democracy

Settler colonialism = violence. As explained by our Editor @CarlosCruzMosq1: "Black & Brown lives are seen as less valuable... leading to them being discarded into prisons, immigration centres, or simply killed regularly by the police."
Article: https://t.co/UuEc0VyL0k https://t.co/ZZt57p0xk7
I’m noticing this platform has become a really good way for women to monetize their diary entries — lists, random thoughts, and (easy to write) roundups of “what I’ve been doing” do really well on this site.
Emily Sundberg • The Machine in the Garden. - By Emily Sundberg - Feed Me
Fast-forward to today, and your options are much improved. Journalists, and many other types of creators, now have what I call “audience portability”. They can bring their fans with them when they switch employers…and many are discovering the best employer is themselves.