Sublime
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- "the concrete practices of the tech industry now structure identity and individuality in ways that support its own hegemony. While it presents endless avenues for expression, it sees us as wholly reducible to market logic, where we are real to the degree that our consumption habits are rational. This vision of selfhood promotes uniformity and... See more
Emma Stamm • Who Can It Be Now — Real Life
Living and Learning with New Media: Summary of Findings from the Digital Youth Project (The John D. and Catherine T. MacArthur Foundation Reports on Digital Media and Learning)
amazon.com
Teen Subcultures Are Fading. Pity the Poor Kids.
https://www.nytimes.com/by/mireille-silcoffnytimes.comPart of me wonders though if TikTok is helpful in understanding recommendation algorithms and curation, because it’s so blatant. I notice that, especially with younger users, there’s a total understanding that what they’re seeing is not occurring naturally, but is the result of computational choices being made for them.
Charlie Warzel • How to Leave an Internet That’s Always in Crisis
In a 2017 interview, Ev Williams (the founder of Twitter), said something that has stuck with me since: “the trouble with algorithms, is that it rewards extremes. Say you’re driving down the road and see a car crash. Of course you look. Everyone looks. The internet interprets behavior like this to mean everyone is asking for car crashes, so it... See more
sari azout • My Favorite Questions
Status Traps: Learning from Web2 Social Networks - a16z crypto
Andreessen Horowitz (AZ)a16zcrypto.com
Facebook, with its explicit attachment to the real world graph and its enforcement of a single public identity, is just a poor structural fit for the more complex social capital requirements of the young.
Remains of the Day • Status as a Service
Eichhorn responds to the sociologist Pierre Bourdieu's 1970s concept of "cultural capital": the fluency in forms of high culture that could bestow social status and help members of elite classes to identify one another.
Cultural capital is knowing that cashmere is a more aspirational fabric than cotton or that a Jackson Pollock painting is much
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