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—The music was also particularly good in this film. Miyazaki: I had absolutely no involvement with the music at all. I even joked at one point that maybe we didn’t need any music in the film [laughs], but we couldn’t get away with that. So I left everything regarding music up to Takahata-san, because he knows much more about it. Jo Hisaishi had als
... See moreHayao Miyazaki • Starting Point: 1979-1996
Never-Ending Man: Hayao Miyazaki - Documentary
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Takamitsu Motoyoshi
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The Gray Heron Comes to Life! | Hayao Miyazaki and the Heron | Clip | Netflix Anime
youtube.comTaka Hiro - Photographer in Osaka, Japan
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This was fated from the time when television, or manga, or video games, or even photo print clubs came to fill in for something children had lost and became more exciting than reality.
Hayao Miyazaki • Turning Point: 1997-2008
UMEHARA: I wrote a play called Gilgamesh that dramatized the Gilgamesh legend. I consider it to be my best work. The best works don’t always sell well, but I really think it is my best work.
Hayao Miyazaki • Turning Point: 1997-2008
It may take about five years for critical assessment of this film to be made.