Sublime
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The placement of structures on the land also affects our sense of community, for it determines both where we must go, and how we can do so,
Paul Hawken • Natural Capitalism

For in a city such construction requires the eviction of people from their homes. Even when the public agrees in theory that a work is needed, no members of the public want to lose their homes for it. People never want their neighborhood disturbed by it. If it is to be built, they inevitably feel, let it be built somewhere else. A totalitarian regi
... See moreRobert A. Caro • The Power Broker
MIYAZAKI: A friend of mine from Nagoya says, “Nagoya got rid of alleyways with its city planning. The result is that young people don’t stay there. I was surprised when I came to Tokyo to discover so many narrow alleys that are fun to stroll along.” As I’m used to them, I don’t notice them as much, but alleys seem to provide a psychological retreat
... See moreHayao Miyazaki • Turning Point: 1997-2008
He believed that an architect needed to bring to a project something that the client could not have imagined himself.
Paul Goldberger • Building Art
The world reveals itself to those who travel on foot.
Paul Cronin • Werner Herzog – A Guide for the Perplexed: Conversations with Paul Cronin
What Is The City But The People? (New York City Department of City Planning, 1969)
youtube.comTrafalgar Square.
John Berger • Bento's Sketchbook
metropolis. The solution is this. The metropolis must contain a large number of different subcultures, each one strongly articulated, with its own values sharply delineated, and sharply distinguished from the others. But though these subcultures must be sharp and distinct and separate, they must not be closed; they must be readily accessible to one
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