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With his rangefinder, Schwieger gauged the ship’s distance and speed. Another indicator of velocity was the height to which water rose on the target’s bow. The higher and whiter, the faster. If this had been a French battleship, Schwieger would have had to watch especially closely, for the French navy painted false wakes on the bows of its warships
... See moreErik Larson • Dead Wake
Into the Forbidden Zone: A Trip Through Hell and High Water in Post-Earthquake Japan (Kindle Single)
amazon.com
The Work of Art in the Age of Mechanical Reproduction
This document explores the effects of mechanical reproduction on art, discussing the change in perception, the relationship between mass and art, and the influence of technology and politics.
web.mit.edu