Sublime

The Paper Millionaire, by some Arab-turned-Englishman named Roger Shashoua. He sat

He brimmed with that most conventional and embarrassing of qualities—“taste.”

That Thomas had worked for the Chronicle since 1976 was easily established, as was the fact that he’d published three brief novels since that date. Out of a sense of delicacy Carleton never mentioned that he owned all three of these, and found them elegant and elliptical, couched in prose that had the cadence of the King James Bible, and concerned

I thought it was the dictate of craft that had pared many of the Best American stories to a nearly unreadable core of brisk verbs and vivid nouns—like entries in a contest to identify as many concrete entities as possible, in the fewest possible words.

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