Sublime

process of siting an inscription in an allographic modality, such that it becomes available for

When making art, we create a mirror in which someone may see their own hidden reflection.

contemporary accounts of proximity and distance, particularly those from post-1968 ideological critics, treat them as if spectator “positions” were effects of the textual

Film narratives, images and ideas frequently go further than the conscious intentions of those who make them.

one can remain geographically stationary and yet become torn away from a shared connection to the past or mutually nurtured expectations for the future.

refusal of fixed-object choices in favor of a fluidity of erotic identification,

Austin's sex publics are both concrete and overlaid with a dense affective geography. That is, even actual spaces, such as parks and public bathrooms, are deeply tied to the past, to memories, and longing.

writing and inscription in all forms: erasure, variability,repeatability, and survivability.'