Sublime

⚡ Magnific on the big screen! I CAN FINALLY TALK ABOUT THIS! The VFX team of Here (directed by Robert Zemeckis and starring Robin Wright & Tom Hanks) used Magnific for their FX 🤯 To break it all down (+more), I interviewed VFX supervisor Kevin Baillie! 🧵👇 ... See more

I composited this opening shot. David wanted more time for his cut, so he paid out of pocket for a custom WB logo and made it as short as possible to get another 30 seconds or so added to the movie. The comp was straightforward, full CG render, I tweaked color and spec of different buttons, added a vignette, touch of grain.

Here it is — The Deadpool & Wolverine Episode. I spoke to editors Shane Reid and Dean Zimmerman on how they executed the INSANE one-shot fight sequence. And a whole lot more… Full episode on our YouTube Channel https://t.co/kTJT40lwca

Feature: The Substance (2024) Directed by Coralie Fargeat Movies can really showcase the impact technique choices can have on your story. When used properly, techniques can be a world building tool - especially in long format projects like feature length films. The Substance leans hard into this and creates a repulsive ... See more

We're so excited that Kelly Lyon, ACE, is nominated for an Emmy *again* this year, this time for Bill Burr: Drop Dead Years, now streaming on @hulu in the US and @DisneyPlus internationally. https://t.co/be7ShRr1qy

Working on any piece of motion with fiddly layers and animations at play can be a daunting task to manage, no matter what software we use. So for our next 'Tips & Tricks' we're introducing a sub category into the mix, the most used plugins that help to enhance our workflow so we can focus on whats most important, creati... See more