Sublime
An inspiration engine for ideas
A pale man with pince-nez, he had the kind of face it is impossible to recall within five minutes of seeing it, and owed his appointment to the fact that all the other candidates for the Vice Chancellorship had enough personality to acquire enemies.
Eva Ibbotson • The Morning Gift
different fragmented characters come together to create our recognizable story shape.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
two opposites are assimilated and a conflict is stilled.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Theatre isn’t worse or inferior to television – its potency simply lies in live
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
‘Hang your reforms!’ said Mr Chichely. ‘There’s no greater humbug in the world. You never hear of a reform, but it means some trick to put in new men.
Rosemary Ashton • Middlemarch
the essence all drama is built on: change, and the internal struggle a character must undergo in order to achieve it.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
the crisis in act two will work like an inciting incident – directly related to its mirror image, the crisis point in act four.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
anarchy.