Sublime
An inspiration engine for ideas
How’s tricks in the sticks,
Harold Pinter • The Short Plays of Harold Pinter
Don’t drop a bollock, Charlie, she’s fond of saying,
Harold Pinter • The Short Plays of Harold Pinter
change is at the root of all drama,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Mamet points out, as E. M. Forster did before him,8 that our only interest should be in what happens next.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
He has black eyebrows and black hair on the back of his hands.
Harold Pinter • The Short Plays of Harold Pinter
As act two begins, characters tend to pursue a short-term solution to their problem based on their initial character flaws.