Sublime
An inspiration engine for ideas
Get in Touch with Your Crayon Box
Jeffrey Zaslow • The Last Lecture

Editing is easier when you know the patterns_
When it comes to essay writing, the idea of “patterns over process,” is just as relevant.
Tootzi instilled a philosophy of “all that exists is the artifact that’s on the table.” It doesn’t matter if your ideas come from your mind, your heart, your soul, your belly button, the tops of mountains, a bottle ... See more
When it comes to essay writing, the idea of “patterns over process,” is just as relevant.
Tootzi instilled a philosophy of “all that exists is the artifact that’s on the table.” It doesn’t matter if your ideas come from your mind, your heart, your soul, your belly button, the tops of mountains, a bottle ... See more
Michael Dean • The Secret Architecture of Great Essays
experience
Craig Mod • Post-Artifact Books and Publishing
That Thomas had worked for the Chronicle since 1976 was easily established, as was the fact that he’d published three brief novels since that date. Out of a sense of delicacy Carleton never mentioned that he owned all three of these, and found them elegant and elliptical, couched in prose that had the cadence of the King James Bible, and concerned
... See moreSarah Perry • Enlightenment
he was who I wanted to be when I grew up. He’s one of the great nonfiction writers of our time, a genius of reportage and the profile, someone who could take any curious whim and turn it into a compelling book.
I want to do is write serious, complicated, difficult things in a very easy style that is fluid and comfortable to read.
Deborah Treisman • The Underground Worlds of Haruki Murakami
I’ve been teaching creative writing for many years. And teaching writing is a weird thing, because it’s not just about helping students master a subject. It’s really about helping them discover what stories they’re meant to tell, how best to tell those stories, and how to overcome the inhibitions that inevitably arise when we seize the mantle of na... See more