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“It should be a sound, not an echo,” Tina Brown says about producing a magazine. That was editorial advice, but these days it is good advice for publishers encountering new technology.

Daisy Alioto • The Taste Economy

Let’s expand the concept of “elite”in the way that Hughes meant it, not as the condescension of class but as the elevation of the mind and the preservation of standards.

Tina Brown • As we enter a period of unmitigated crassness in public life, I find myself guiltily dreaming of frivolity and luxury.

It had a founding CEO, Tina Sharkey, who was unabashedly trying to build a community in public, and got great press.

The New Consumer • The end of Brandless

OPRAH WINFREY CEO, Oprah Winfrey Network (OWN); Actress and Producer

David M. Rubenstein • How to Lead: Wisdom from the World's Greatest CEOs, Founders, and Game Changers

the age of the celebutante

John Seabrook • The Song Machine: How to Make a Hit

jornalismo de interesse geral que trate os temas femininos com a seriedade mínima que eles merecem,

Naomi Wolf • O mito da beleza: Como as imagens de beleza são usadas contra as mulheres (Portuguese Edition)

The news coverage given to Brock’s fake news focus provides fresh evidence of how he’s truly set himself apart in the smear industry. As a political operative, he seems able to pick up the phone or send an email and get his message covered in outlets ranging from Politico to the New York Times. There are no other liberals or conservative counterpar

Sharyl Attkisson • The Smear: How Shady Political Operatives and Fake News Control What You See, What You Think, and How You Vote

The magazine’s patented celebrity-on-celebrity dialogues compounded the formula, like mixing colors on a palette. Instead of a journalist to interview Jack Nicholson, get Julian Schnabel. (For the results, see the April, 2003, issue.)