Sublime
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END OF ACT ONE TURN & DECISION (PAGE 25-30): Sweet Spot: Turn: 27 Decision: 29
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Put everyone on the front lines
David Heinemeier Hansson • Rework
fictional points of reference
Lessons I'm still learning
the midpoint to the All Is Lost, is the toughest part of the screenplay.
Blake Snyder • Save the Cat
The jumping-on point is the point at which the audience come into your story. In other words, it’s where you choose to begin.
Andrew Anderson • The Ritual of Writing: Writing as Spiritual Practice
turning point or a moment of emotional change for the protagonist.