Sublime

creator of the Smithsonian Museum’s “Programs in Black Culture,” and one of the leading authorities on Black American music culture,

Elvis’s life before fame featured repeated experiences with humiliation, but he also experienced something else characteristic of the South and the United States in general: the wages of Whiteness. An effort to place Elvis more accurately in history doesn’t just require a recognition that he saw his indebtedness to Black musicians. It also means

Being a Black American requires double consciousness, in the words of W. E. B. Du Bois, the habit of seeing from inside the logic of race and the lives of the racialized, and from the external superego of what it means to be American, with all its archetypes and interests.