Sublime
An inspiration engine for ideas
cinema is a performing art.
This isn’t just a nostalgic or romantic idea. It’s an argument for understanding cinema not as a static object, but as an event—something that happens, something experienced, something that lives in time and space. Cinema is not merely a file, a product, or a commodity to be consumed; it’s an encounter occurring in a... See more
This isn’t just a nostalgic or romantic idea. It’s an argument for understanding cinema not as a static object, but as an event—something that happens, something experienced, something that lives in time and space. Cinema is not merely a file, a product, or a commodity to be consumed; it’s an encounter occurring in a... See more
The Crisis Isn’t Cinema. It’s the Industry.
“las películas, como los sueños, demandan la suspensión del juicio moral”,
Fernanda Solórzano • Misterios de la sala oscura: Ensayos sobre el cine y su tiempo (Spanish Edition)
You can go to the cinema in the evenings. That's great and it's cheap. You get to see everything that happens in the world. […]
Christopher Hauke • Visible Mind: Movies, modernity and the unconscious
[FILMGRAB]
film-grab.com![Thumbnail of [FILMGRAB]](https://d1l054mla94ehg.cloudfront.net/media/images/thumbnails/curation/662fa5ed037043eab3e187d7726541f4/thumbnail.jpg?height=75&dpr=2)
Aleksandr Nevsky (Sergei M Eisenstein)
Au Hasard Balthazar (Robert Bresson)
Berlin Alexanderplatz (Rainer Werner Fassbinder)
Frenzy (Alfred Hitchcock)
M (Fritz Lang)
Man with a Movie Camera (Dziga Vertov)
The Passion of Joan of Arc (Carl Theodor Dreyer)
The Round-Up (Miklós Jancsó)
Tokyo Story (Yasujirô Ozu)
Vivre Sa Vie (Jean-Luc Godard)
Au Hasard Balthazar (Robert Bresson)
Berlin Alexanderplatz (Rainer Werner Fassbinder)
Frenzy (Alfred Hitchcock)
M (Fritz Lang)
Man with a Movie Camera (Dziga Vertov)
The Passion of Joan of Arc (Carl Theodor Dreyer)
The Round-Up (Miklós Jancsó)
Tokyo Story (Yasujirô Ozu)
Vivre Sa Vie (Jean-Luc Godard)
“Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and
... See more