Sublime

When the editors of Animage encouraged me to create a manga, I got all excited and, as fate would have it, decided to create my own version of Nausicaä. I am now forced to reflect yet again on why, years ago, I once gave up drawing manga because I felt I lacked talent. At this point, I hope that I can somehow bring this young heroine into a world

Hayao Miyazaki has sometimes been described as “a man with no need for the production process.” Even on the Nausicaä of the Valley of the Wind animated feature, when I served as producer, he never needed anyone to whip his behind to get him to do any of his work. He participated as a member of our animation staff as if he weren’t worried about the

I did not try to make “animation” as we usually think of it, but a manga, or a cartoon film.

—The music was also particularly good in this film. Miyazaki: I had absolutely no involvement with the music at all. I even joked at one point that maybe we didn’t need any music in the film [laughs], but we couldn’t get away with that. So I left everything regarding music up to Takahata-san, because he knows much more about it. Jo Hisaishi had

MIYAZAKI: Even if the buildings are interesting, the problem is what’s inside. No matter how resourcefully one builds a prison, it is, after all, a prison.