Sublime
An inspiration engine for ideas

a ‘slow hunch’ – the anti-‘lightbulb moment,’ the idea that comes into focus over decades, not seconds.
Steven Johnson • How We Got to Now
She occupies her days with clothing – in the mending and embellishment of it for purposes theatrical and ecclesiastical, in ironing and starching it; even sometimes in constructing new garments out of old ones, and wearing them through Aldleigh in the knowledge that she is seen and admired and enviously mocked.
Sarah Perry • Enlightenment
Hanslip’s weakness was a somewhat ostentatious self-presentation. He affected an old-fashioned style, and had had his metabolism tweaked so that he stabilised at about ten per cent overweight: enough to give him a more solid look without requiring frequent adjustments to the heart.
Iain Pears • Arcadia
that her face was sloped and ursine.
Richard Powers • The Overstory
ou can hear in the delaying rhythms of the opening sentence the influence of Marcel Proust and the digressive, paid-by-the-word style of Thomas De Quincey, whose essays Woolf had lately looked into for the first time
Literary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
How Silk-Making Represents a More Hidden Side of Georgia’s Past (Published 2020)
Esi Edugyannytimes.com