Sublime

Sorakichi Matsuda moved to the USA in the 1880s, living his life virtually in poverty as he pursued his dream of becoming a professional wrestler.

Jiro, like Yukio Shakunaga, begins his work at “the source.” He goes to the fish market to find the best tuna; Shakunaga goes to the mountains to find the best porcelain. When they get down to work, both become one with the object they are creating. This unity with the object that they reach in a state of flow takes on special meaning in Japan, whe